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The Bight by Elizabeth Bishop
[On my birthday]
At low tide like this how sheer the water is.
White, crumbling ribs of marl protrude and glare
and the boats are dry, the pilings dry as matches.
Absorbing, rather than being absorbed,
the water in the bight doesn't wet anything,
the color of the gas flame turned as low as possible.
One can smell it turning to gas; if one were Baudelaire
one could probably hear it turning to marimba music.
The little ocher dredge at work off the end of the dock
already plays the dry perfectly off-beat claves.
The birds are outsize. Pelicans crash
into this peculiar gas unnecessarily hard,
it seems to me, like pickaxes,
rarely coming up with anything to show for it,
and going off with humorous elbowings.
Black-and-white man-of-war birds soar
on impalpable drafts
and open their tails like scissors on the curves
or tense them like wishbones, till they tremble.
The frowsy sponge boats keep coming in
with the obliging air of retrievers,
bristling with jackstraw gaffs and hooks
and decorated with bobbles of sponges.
There is a fence of chicken wire along the dock
where, glinting like little plowshares,
the blue-gray shark tails are hung up to dry
for the Chinese-restaurant trade.
Some of the little white boats are still piled up
against each other, or lie on their sides, stove in,
and not yet salvaged, if they ever will be, from the last bad storm,
like torn-open, unanswered letters.
The bight is littered with old correspondences.
Click. Click. Goes the dredge,
and brings up a dripping jawful of marl.
All the untidy activity continues,
awful but cheerful.
= = = = = = = = = =
As I Walk These Broad, Majestic Days by Walt Whitman
As I walk these broad, majestic days of peace,
(For the war, the struggle of blood finish'd, wherein, O terrific
Ideal!
Against vast odds, having gloriously won,
Now thou stridest on--yet perhaps in time toward denser wars,
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others;
--As I walk solitary, unattended,
Around me I hear that eclat of the world--politics, produce,
The announcements of recognized things--science,
The approved growth of cities, and the spread of inventions.
I see the ships, (they will last a few years,)
The vast factories, with their foremen and workmen,
And here the indorsement of all, and do not object to it.
But I too announce solid things;
Science, ships, politics, cities, factories, are not nothing--I watch
them,
Like a grand procession, to music of distant bugles, pouring,
triumphantly moving--and grander heaving in sight;
They stand for realities--all is as it should be.
Then my realities;
What else is so real as mine?
Libertad, and the divine average--Freedom to every slave on the face
of the earth,
The rapt promises and luminé of seers--the spiritual world--these
centuries lasting songs,
And our visions, the visions of poets, the most solid announcements
of any.
For we support all, fuse all,
After the rest is done and gone, we remain;
There is no final reliance but upon us;
Democracy rests finally upon us (I, my brethren, begin it,)
And our visions sweep through eternity.
= = = = = = = = = =
A Sight In Camp by Walt Whitman
A sight in camp in the day-break grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air, the path near by the hospital
tent,
Three forms I see on stretchers lying, brought out there, untended
lying,
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.
Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first,
just lift the blanket:
Who are you, elderly man so gaunt and grim, with well-grey'd hair,
and flesh all sunken about the eyes?
Who are you, my dear comrade?
Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?
Then to the third--a face nor child, nor old, very calm, as of
beautiful yellow-white ivory;
Young man, I think I know you--I think this face of yours is the face
of the Christ himself;
Dead and divine, and brother of all, and here again he lies.
= = = = = = = = = =
There was an Old Person of Cromer by Edward Lear
There was an Old Person of Cromer,
Who stood on one leg to read Homer;
When he found he grew stiff,
He jumped over the cliff,
Which concluded that Person of Cromer.
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