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Laws For Creations by Walt Whitman
Laws for Creations, For strong artists and leaders--for fresh broods of teachers, and perfect literats for America, For noble savans, and coming musicians.
All must have reference to the ensemble of the world, and the compact truth of the world; There shall be no subject too pronounced--All works shall illustrate the divine law of indirections.
What do you suppose Creation is? What do you suppose will satisfy the Soul, except to walk free, and own no superior? What do you suppose I would intimate to you in a hundred ways, but that man or woman is as good as God? And that there is no God any more divine than Yourself? And that that is what the oldest and newest myths finally mean? And that you or any one must approach Creations through such laws?
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Who Learns My Lesson Complete? by Walt Whitman
Who learns my lesson complete? Boss, journeyman, apprentice--churchman and atheist, The stupid and the wise thinker--parents and offspring--merchant, clerk, porter and customer, Editor, author, artist, and schoolboy--Draw nigh and commence; It is no lesson--it lets down the bars to a good lesson, And that to another, and every one to another still.
The great laws take and effuse without argument; I am of the same style, for I am their friend, I love them quits and quits--I do not halt, and make salaams.
I lie abstracted, and hear beautiful tales of things, and the reasons of things; They are so beautiful, I nudge myself to listen.
I cannot say to any person what I hear--I cannot say it to myself--it is very wonderful.
It is no small matter, this round and delicious globe, moving so exactly in its orbit forever and ever, without one jolt, or the untruth of a single second; I do not think it was made in six days, nor in ten thousand years, nor ten billions of years, Nor plann'd and built one thing after another, as an architect plans and builds a house.
I do not think seventy years is the time of a man or woman, Nor that seventy millions of years is the time of a man or woman, Nor that years will ever stop the existence of me, or any one else.
Is it wonderful that I should be immortal? as every one is immortal; I know it is wonderful, but my eyesight is equally wonderful, and how I was conceived in my mother's womb is equally wonderful; And pass'd from a babe, in the creeping trance of a couple of summers and winters, to articulate and walk--All this is equally wonderful.
And that my Soul embraces you this hour, and we affect each other without ever seeing each other, and never perhaps to see each other, is every bit as wonderful.
And that I can think such thoughts as these, is just as wonderful; And that I can remind you, and you think them, and know them to be true, is just as wonderful.
And that the moon spins round the earth, and on with the earth, is equally wonderful, And that they balance themselves with the sun and stars, is equally wonderful.
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Sparkles From The Wheel by Walt Whitman
Where the city's ceaseless crowd moves on, the live-long day, Withdrawn, I join a group of children watching--I pause aside with them.
By the curb, toward the edge of the flagging, A knife-grinder works at his wheel, sharpening a great knife; Bending over, he carefully holds it to the stone--by foot and knee, With measur'd tread, he turns rapidly--As he presses with light but firm hand, Forth issue, then, in copious golden jets, Sparkles from the wheel.
The scene, and all its belongings--how they seize and affect me! The sad, sharp-chinn'd old man, with worn clothes, and broad shoulder-band of leather; Myself, effusing and fluid--a phantom curiously floating--now here absorb'd and arrested;
The group, (an unminded point, set in a vast surrounding;) The attentive, quiet children--the loud, proud, restive base of the streets; The low, hoarse purr of the whirling stone--the light-press'd blade, Diffusing, dropping, sideways-darting, in tiny showers of gold, Sparkles from the wheel.
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Hysteria by T. S. Eliot
As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps, inhaled at each momentary recovery, lost finally in the dark caverns of her throat, bruised by the ripple of unseen muscles. An elderly waiter with trembling hands was hurriedly spreading a pink and white checked cloth over the rusty green iron table, saying: 'If the lady and gentleman wish to take their tea in the garden, if the lady and gentleman wish to take their tea in the garden ...' I decided that if the shaking of her breasts could be stopped, some of the fragments of the afternoon might be collected, and I concentrated my attention with careful subtlety to this end.
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