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Rhapsody on a Windy Night by T. S. Eliot
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium.
Half-past one, The street-lamp sputtered, The street-lamp muttered, The street-lamp said, “Regard that woman Who hesitates toward you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.”
The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap.
Half-past two, The street-lamp said, “Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.” So the hand of the child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him.
Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: “Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smooths the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and eau de Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.” The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.
The lamp said, “Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair. Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.”
The last twist of the knife.
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There was an Old Man of Leghorn by Edward Lear
There was an Old Man of Leghorn, The smallest as ever was born; But quickly snapt up he, Was once by a puppy, Who devoured that Old Man of Leghorn.
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Chanting The Square Deific by Walt Whitman
Chanting the square deific, out of the One advancing, out of the sides; Out of the old and new--out of the square entirely divine, Solid, four-sided, (all the sides needed)... from this side JEHOVAH am I, Old Brahm I, and I Saturnius am; Not Time affects me--I am Time, old, modern as any; Unpersuadable, relentless, executing righteous judgments; As the Earth, the Father, the brown old Kronos, with laws, Aged beyond computation--yet ever new--ever with those mighty laws rolling, Relentless, I forgive no man--whoever sins, dies--I will have that man's life; Therefore let none expect mercy--Have the seasons, gravitation, the appointed days, mercy?--No more have I; But as the seasons, and gravitation--and as all the appointed days, that forgive not, I dispense from this side judgments inexorable, without the least remorse.
Consolator most mild, the promis'd one advancing, With gentle hand extended--the mightier God am I, Foretold by prophets and poets, in their most rapt prophecies and poems; From this side, lo! the Lord CHRIST gazes--lo! Hermes I--lo! mine is Hercules' face; All sorrow, labor, suffering, I, tallying it, absorb in myself; Many times have I been rejected, taunted, put in prison, and crucified--and many times shall be again; All the world have I given up for my dear brothers' and sisters' sake--for the soul's sake; Wending my way through the homes of men, rich or poor, with the kiss of affection; For I am affection--I am the cheer-bringing God, with hope, and all- enclosing Charity; (Conqueror yet--for before me all the armies and soldiers of the earth shall yet bow--and all the weapons of war become impotent:) With indulgent words, as to children--with fresh and sane words, mine only; Young and strong I pass, knowing well I am destin'd myself to an early death: But my Charity has no death--my Wisdom dies not, neither early nor late, And my sweet Love, bequeath'd here and elsewhere, never dies.
Aloof, dissatisfied, plotting revolt, Comrade of criminals, brother of slaves, Crafty, despised, a drudge, ignorant, With sudra face and worn brow, black, but in the depths of my heart, proud as any; Lifted, now and always, against whoever, scorning, assumes to rule me; Morose, full of guile, full of reminiscences, brooding, with many wiles, (Though it was thought I was baffled and dispell'd, and my wiles done--but that will never be;) Defiant, I, SATAN, still live--still utter words--in new lands duly appearing, (and old ones also;) Permanent here, from my side, warlike, equal with any, real as any, Nor time, nor change, shall ever change me or my words.
Santa SPIRITA, breather, life, Beyond the light, lighter than light, Beyond the flames of hell--joyous, leaping easily above hell; Beyond Paradise--perfumed solely with mine own perfume; Including all life on earth--touching, including God--including Saviour and Satan; Ethereal, pervading all, (for without me, what were all? what were God?) Essence of forms--life of the real identities, permanent, positive, (namely the unseen,) Life of the great round world, the sun and stars, and of man--I, the general Soul, Here the square finishing, the solid, I the most solid, Breathe my breath also through these songs.
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There was an old person of Dover by Edward Lear
There was an old person of Dover, Who rushed through a field of blue Clover; But some very large bees, Stung his nose and his knees, So he very soon went back to Dover.
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