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Come Up From The Fields, Father by Walt Whitman
Come up from the fields, father, here's a letter from our Pete; And come to the front door, mother--here's a letter from thy dear son.
Lo, 'tis autumn; Lo, where the trees, deeper green, yellower and redder, Cool and sweeten Ohio's villages, with leaves fluttering in the moderate wind; Where apples ripe in the orchards hang, and grapes on the trellis'd vines; (Smell you the smell of the grapes on the vines? Smell you the buckwheat, where the bees were lately buzzing?)
Above all, lo, the sky, so calm, so transparent after the rain, and with wondrous clouds; Below, too, all calm, all vital and beautiful--and the farm prospers well.
Down in the fields all prospers well; But now from the fields come, father--come at the daughter's call; And come to the entry, mother--to the front door come, right away.
Fast as she can she hurries--something ominous--her steps trembling; She does not tarry to smoothe her hair, nor adjust her cap.
Open the envelope quickly; O this is not our son's writing, yet his name is sign'd; O a strange hand writes for our dear son--O stricken mother's soul! All swims before her eyes--flashes with black--she catches the main words only; Sentences broken--gun-shot wound in the breast, cavalry skirmish, taken to hospital, At present low, but will soon be better.
Ah, now, the single figure to me, Amid all teeming and wealthy Ohio, with all its cities and farms, Sickly white in the face, and dull in the head, very faint, By the jamb of a door leans.
Grieve not so, dear mother, (the just-grown daughter speaks through her sobs; The little sisters huddle around, speechless and dismay'd;) See, dearest mother, the letter says Pete will soon be better.
Alas, poor boy, he will never be better, (nor may-be needs to be better, that brave and simple soul;) While they stand at home at the door, he is dead already; The only son is dead.
But the mother needs to be better; She, with thin form, presently drest in black; By day her meals untouch'd--then at night fitfully sleeping, often waking, In the midnight waking, weeping, longing with one deep longing, O that she might withdraw unnoticed--silent from life, escape and withdraw, To follow, to seek, to be with her dear dead son.
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Jabberwocky by Lewis Carroll
Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
'Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!'
He took his vorpal sword in hand: Long time the manxome foe he sought -- So rested he by the Tumtum tree, And stood a while in thought.
And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came!
One two! One two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back.
'And hast thou slain the Jabberwock? Come to my arms, my beamish boy! Oh frabjous day! Callooh! Callay!' He chortled in his joy.
'Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.
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The Mystic Trumpeter by Walt Whitman
Hark! some wild trumpeter--some strange musician, Hovering unseen in air, vibrates capricious tunes to-night.
I hear thee, trumpeter--listening, alert, I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued--now in the distance lost.
Come nearer, bodiless one--haply, in thee resounds Some dead composer--haply thy pensive life Was fill'd with aspirations high--unform'd ideals, Waves, oceans musical, chaotically surging, That now, ecstatic ghost, close to me bending, thy cornet echoing, pealing, Gives out to no one's ears but mine--but freely gives to mine, That I may thee translate.
Blow, trumpeter, free and clear--I follow thee, While at thy liquid prelude, glad, serene, The fretting world, the streets, the noisy hours of day, withdraw; A holy calm descends, like dew, upon me, I walk, in cool refreshing night, the walks of Paradise, I scent the grass, the moist air, and the roses; Thy song expands my numb'd, imbonded spirit--thou freest, launchest me, Floating and basking upon Heaven's lake.
Blow again, trumpeter! and for my sensuous eyes, Bring the old pageants--show the feudal world.
What charm thy music works!--thou makest pass before me, Ladies and cavaliers long dead--barons are in their castle halls--the troubadours are singing; Arm'd knights go forth to redress wrongs--some in quest of the Holy Grail: I see the tournament--I see the contestants, encased in heavy armor, seated on stately, champing horses; I hear the shouts--the sounds of blows and smiting steel: I see the Crusaders' tumultuous armies--Hark! how the cymbals clang! Lo! where the monks walk in advance, bearing the cross on high!
Blow again, trumpeter! and for thy theme, 30 Take now the enclosing theme of all--the solvent and the setting; Love, that is pulse of all--the sustenace and the pang; The heart of man and woman all for love; No other theme but love--knitting, enclosing, all-diffusing love.
O, how the immortal phantoms crowd around me! I see the vast alembic ever working--I see and know the flames that heat the world; The glow, the blush, the beating hearts of lovers, So blissful happy some--and some so silent, dark, and nigh to death: Love, that is all the earth to lovers--Love, that mocks time and space; Love, that is day and night--Love, that is sun and moon and stars; Love, that is crimson, sumptuous, sick with perfume; No other words, but words of love--no other thought but Love.
Blow again, trumpeter--conjure war's Wild alarums. Swift to thy spell, a shuddering hum like distant thunder rolls; Lo! where the arm'd men hasten--Lo! mid the clouds of dust, the glint of bayonets; I see the grime-faced cannoniers--I mark the rosy flash amid the smoke--I hear the cracking of the guns: --Nor war alone--thy fearful music-song, wild player, brings every sight of fear, The deeds of ruthless brigands--rapine, murder--I hear the cries for help! I see ships foundering at sea--I behold on deck, and below deck, the terrible tableaux.
O trumpeter! methinks I am myself the instrument thou playest! Thou melt'st my heart, my brain--thou movest, drawest, changest them, at will: And now thy sullen notes send darkness through me; Thou takest away all cheering light--all hope: I see the enslaved, the overthrown, the hurt, the opprest of the whole earth; I feel the measureless shame and humiliation of my race--it becomes all mine; Mine too the revenges of humanity--the wrongs of ages--baffled feuds and hatreds; Utter defeat upon me weighs--all lost! the foe victorious! (Yet 'mid the ruins Pride colossal stands, unshaken to the last; Endurance, resolution, to the last.)
Now, trumpeter, for thy close, Vouchsafe a higher strain than any yet; Sing to my soul--renew its languishing faith and hope; Rouse up my slow belief--give me some vision of the future; Give me, for once, its prophecy and joy.
O glad, exulting, culminating song! A vigor more than earth's is in thy notes! Marches of victory--man disenthrall'd--the conqueror at last! Hymns to the universal God, from universal Man--all joy! A reborn race appears--a perfect World, all joy! Women and Men, in wisdom, innocence and health--all joy! Riotous, laughing bacchanals, fill'd with joy!
War, sorrow, suffering gone--The rank earth purged--nothing but joy left! The ocean fill'd with joy--the atmosphere all joy! Joy! Joy! in freedom, worship, love! Joy in the ecstacy of life! Enough to merely be! Enough to breathe! Joy! Joy! all over Joy!
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Gerontion by T. S. Eliot
Thou hast nor youth nor age But as it were an after dinner sleep Dreaming of both.
Here I am, an old man in a dry month, Being read to by a boy, waiting for rain. I was neither at the hot gates Nor fought in the warm rain Nor knee deep in the salt marsh, heaving a cutlass, Bitten by flies, fought. My house is a decayed house, And the jew squats on the window sill, the owner, Spawned in some estaminet of Antwerp, Blistered in Brussels, patched and peeled in London. The goat coughs at night in the field overhead; Rocks, moss, stonecrop, iron, merds. The woman keeps the kitchen, makes tea, Sneezes at evening, poking the peevish gutter.
I an old man, A dull head among windy spaces.
Signs are taken for wonders. 'We would see a sign': The word within a word, unable to speak a word, Swaddled with darkness. In the juvescence of the year Came Christ the tiger
In depraved May, dogwood and chestnut, flowering Judas, To be eaten, to be divided, to be drunk Among whispers; by Mr. Silvero With caressing hands, at Limoges Who walked all night in the next room; By Hakagawa, bowing among the Titians; By Madame de Tornquist, in the dark room Shifting the candles; Fraulein von Kulp Who turned in the hall, one hand on the door. Vacant shuttles Weave the wind. I have no ghosts, An old man in a draughty house Under a windy knob.
After such knowledge, what forgiveness? Think now History has many cunning passages, contrived corridors And issues, deceives with whispering ambitions, Guides us by vanities. Think now She gives when our attention is distracted And what she gives, gives with such supple confusions That the giving famishes the craving. Gives too late What's not believed in, or if still believed, In memory only, reconsidered passion. Gives too soon Into weak hands, what's thought can be dispensed with Till the refusal propagates a fear. Think Neither fear nor courage saves us. Unnatural vices Are fathered by our heroism. Virtues Are forced upon us by our impudent crimes. These tears are shaken from the wrath-bearing tree.
The tiger springs in the new year. Us he devours. Think at last We have not reached conclusion, when I Stiffen in a rented house. Think at last I have not made this show purposelessly And it is not by any concitation Of the backward devils. I would meet you upon this honestly. I that was near your heart was removed therefrom To lose beauty in terror, terror in inquisition. I have lost my passion: why should I need to keep it Since what is kept must be adulterated? I have lost my sight, smell, hearing, taste and touch: How should I use it for your closer contact?
These with a thousand small deliberations Protract the profit of their chilled delirium, Excite the membrane, when the sense has cooled, With pungent sauces, multiply variety In a wilderness of mirrors. What will the spider do, Suspend its operations, will the weevil Delay? De Bailhache, Fresca, Mrs. Cammel, whirled Beyond the circuit of the shuddering Bear In fractured atoms. Gull against the wind, in the windy straits Of Belle Isle, or running on the Horn, White feathers in the snow, the Gulf claims, And an old man driven by the Trades To a sleepy corner.
Tenants of the house, Thoughts of a dry brain in a dry season.
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