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Despairing Cries by Walt Whitman
Despairing cries float ceaselessly toward me, day and night,
The sad voice of Death--the call of my nearest lover, putting forth,
alarmed, uncertain,
This sea I am quickly to sail, come tell me,
Come tell me where I am speeding--tell me my destination.
I understand your anguish, but I cannot help you,
I approach, hear, behold--the sad mouth, the look out of the eyes,
your mute inquiry,
Whither I go from the bed I now recline on, come tell me;
Old age, alarmed, uncertain--A young woman's voice appealing to me,
for comfort,
A young man's voice, Shall I not escape?
= = = = = = = = = =
Spontaneous Me by Walt Whitman
Spontaneous me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten'd with blossoms of the mountain ash,
The same, late in autumn--the hues of red, yellow, drab, purple, and
light and dark green,
The rich coverlid of the grass--animals and birds--the private
untrimm'd bank--the primitive apples--the pebble-stones,
Beautiful dripping fragments--the negligent list of one after
another, as I happen to call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all
men carry,
(Know, once for all, avow'd on purpose, wherever are men like me, are
our lusty, lurking, masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers,
and the climbing sap,
Arms and hands of love--lips of love--phallic thumb of love--breasts
of love--bellies press'd and glued together with love,
Earth of chaste love--life that is only life after love,
The body of my love--the body of the woman I love--the body of the
man--the body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down--that gripes
the full-grown lady-flower, curves upon her with amorous firm
legs, takes his will of her, and holds himself tremulous and
tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an
arm slanting down across and below the waist of the other,
The smell of apples, aromas from crush'd sage-plant, mint, birch-
bark,
The boy's longings, the glow and pressure as he confides to me what
he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and
content to the ground,
The no-form'd stings that sights, people, objects, sting me with,
The hubb'd sting of myself, stinging me as much as it ever can any
one,
The sensitive, orbic, underlapp'd brothers, that only privileged
feelers may be intimate where they are,
The curious roamer, the hand, roaming all over the body--the bashful
withdrawing of flesh where the fingers soothingly pause and
edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment--the irritable tide that will not be at rest,
The like of the same I feel--the like of the same in others,
The young man that flushes and flushes, and the young woman that
flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to
repress what would master him;
The mystic amorous night--the strange half-welcome pangs, visions,
sweats,
The pulse pounding through palms and trembling encircling fingers--
the young man all color'd, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun,
the mother never turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen'd long-
round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent,
while birds and animals never once skulk or find themselves
indecent;
The great chastity of paternity, to match the great chastity of
maternity,
The oath of procreation I have sworn--my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I
saturate what shall produce boys to fill my place when I am
through,
The wholesome relief, repose, content;
And this bunch, pluck'd at random from myself;
It has done its work--I tossed it carelessly to fall where it may.
= = = = = = = = = =
The Old Gumbie Cat by T S Eliot
I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
And when all the family's in bed and asleep,
She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice
Their behaviour's not good and their manners not nice;
So when she has got them lined up on the matting,
She teachs them music, crocheting and tatting.
I have a Gumbie Cat in mind, her name is Jennyanydots;
Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
As she finds that the mice will not ever keep quiet,
She is sure it is due to irregular diet;
And believing that nothing is done without trying,
She sets right to work with her baking and frying.
She makes them a mouse--cake of bread and dried peas,
And a beautiful fry of lean bacon and cheese.
I have a Gumbie Cat in mind, her name is Jennyanydots;
The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that's smooth and flat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
She thinks that the cockroaches just need employment
To prevent them from idle and wanton destroyment.
So she's formed, from that lot of disorderly louts,
A troop of well-disciplined helpful boy-scouts,
With a purpose in life and a good deed to do
And she's even created a Beetles' Tattoo.
So for Old Gumbie Cats let us now give three cheers
On whom well-ordered households depend, it appears.
= = = = = = = = = =
To You - 1 by Walt Whitman
Whoever you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and
hands;
Even now, your features, joys, speech, house, trade, manners,
troubles, follies, costume, crimes, dissipate away from you,
Your true Soul and Body appear before me,
They stand forth out of affairs--out of commerce, shops, law,
science, work, forms, clothes, the house, medicine, print,
buying, selling, eating, drinking, suffering, dying.
Whoever you are, now I place my hand upon you, that you be my poem;
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.
O I have been dilatory and dumb;
I should have made my way straight to you long ago;
I should have blabb'd nothing but you, I should have chanted nothing
but you.
I will leave all, and come and make the hymns of you;
None have understood you, but I understand you;
None have done justice to you--you have not done justice to yourself;
None but have found you imperfect--I only find no imperfection in
you;
None but would subordinate you--I only am he who will never consent
to subordinate you;
I only am he who places over you no master, owner, better, God,
beyond what waits intrinsically in yourself.
Painters have painted their swarming groups, and the centre figure of
all;
From the head of the centre figure spreading a nimbus of gold-color'd
light;
But I paint myriads of heads, but paint no head without its nimbus of
gold-color'd light; 20
From my hand, from the brain of every man and woman it streams,
effulgently flowing forever.
O I could sing such grandeurs and glories about you!
You have not known what you are--you have slumber'd upon yourself all
your life;
Your eye-lids have been the same as closed most of the time;
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries,
what is their return?)
The mockeries are not you;
Underneath them, and within them, I see you lurk;
I pursue you where none else has pursued you;
Silence, the desk, the flippant expression, the night, the accustom'd
routine, if these conceal you from others, or from yourself,
they do not conceal you from me;
The shaved face, the unsteady eye, the impure complexion, if these
balk others, they do not balk me,
The pert apparel, the deform'd attitude, drunkenness, greed,
premature death, all these I part aside.
There is no endowment in man or woman that is not tallied in you;
There is no virtue, no beauty, in man or woman, but as good is in
you;
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you.
As for me, I give nothing to any one, except I give the like
carefully to you;
I sing the songs of the glory of none, not God, sooner than I sing
the songs of the glory of you.
Whoever you are! claim your own at any hazard!
These shows of the east and west are tame, compared to you;
These immense meadows--these interminable rivers--you are immense and
interminable as they;
These furies, elements, storms, motions of Nature, throes of apparent
dissolution--you are he or she who is master or mistress over
them,
Master or mistress in your own right over Nature, elements, pain,
passion, dissolution.
The hopples fall from your ankles--you find an unfailing sufficiency;
Old or young, male or female, rude, low, rejected by the rest,
whatever you are promulges itself;
Through birth, life, death, burial, the means are provided, nothing
is scanted;
Through angers, losses, ambition, ignorance, ennui, what you are
picks its way.
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